Painting a managed property is a different job from painting an owner-occupied house, and most painters quote it as though it were the same. The work is similar. Everything around the work is not.
If you manage a rent roll or run sale campaigns, these are the things that actually determine whether a painter is easy to use twice.
The window between tenancies is days, not weeks
A vacate inspection on Monday and a new lease starting the following week is normal. That is the real constraint, and it changes what can be promised.
What fits in that window:
- Full repaint of walls and ceilings in a standard two or three bedroom property
- Make-good of damage, patching and spot work through the whole property
- Touch-up and reset of high-traffic areas: hallway, living, around switches and door handles
What does not:
- Any exterior work dependent on weather
- Anything following plaster repair that needs real drying time
- A dark-to-light colour change, which is three coats plus recoat intervals
The useful thing a painter can do is tell you that on the phone rather than discovering it on day three. A job that slips by a week costs you a week of rent and a difficult conversation with an owner.
Quoting without a site visit
Waiting for a painter to attend before quoting is often the slowest part of the process. For a property you already have a condition report and photographs for, that visit is usually unnecessary.
We quote from photos and a floor area for standard interior work, and only attend first where something is genuinely unclear: suspected water damage, an unusual surface, exterior work, or anything pre-1990 where lead paint or asbestos may be in play. Our guides on lead paint and asbestos in older homes cover why those two cannot be quoted blind.
Scope has to separate wear and tear from damage
This is the part that causes disputes, and a painter who understands it saves you a great deal of time.
A quote that says “repaint throughout” is useless when an owner asks what can be charged against a bond. A quote that itemises general repaint separately from specific damage, with photographs attached to the damage items, lets you have that conversation in one email.
We write them that way as standard: a line for the general repaint, and separate itemised lines with photographs for damage. What is fair wear and tear is not our call, and we do not pretend it is. We just make sure the scope is written so somebody can decide.
Documentation an owner will accept
Owners approving spend on a property they have not seen need to see something. What we provide:
- Photographs before work starts, of every area in the scope
- Photographs of any damage, with the quote line it relates to
- Photographs on completion
- An itemised invoice that matches the quote line for line
That package is what turns a three-email approval into a one-email approval.
Access and keys
We work from agency key collection, lockbox or a code, and we do not need anyone to meet us on site. For tenanted properties we work to whatever notice period and entry arrangement you have in place, and we will coordinate directly with the tenant if you would rather not be the intermediary.
Pricing a portfolio
For agencies sending regular work we price to a standard schedule rather than quoting each property from scratch: a rate per room, per ceiling, per door, and an hourly rate for make-good. You can estimate a job before you call us, and your owners get consistent numbers.
Consistency matters more than being the cheapest quote on any one property. A painter who is twenty per cent cheaper but unreliable on dates costs you more in lost rent than the saving.
Sale campaigns run on the photographer’s date
Vendor prep is the other half of this, and it has a hard deadline: the stylist and photographer, not the auction.
Working backwards, the paint has to be finished before styling, which is before photography, which is before the listing goes live. For a February campaign that means painting in early January. We set out the full timeline in painting in January to list in February, and what is actually worth painting before a sale in how paint affects property value.
The short version for vendor prep: the entry, the main living area and the front facade do most of the work, and repainting a sound exterior rarely returns its cost.
Commercial and owners corporation work
If you also manage commercial tenancies or owners corporations, the relevant pieces are make-good painting at end of lease and strata and owners corporation painting, which has its own approval and budget cycle.
For the rental side generally, our guide to rental property painting covers product and durability choices that survive tenants.
What we do for agencies
- Quotes from photographs, usually same day
- Scopes that separate general repaint from itemised damage
- Before, damage and completion photographs with every job
- Key or lockbox access, no need for anyone to attend
- Standard rate schedules for regular work
- Turnarounds planned around vacate and lease dates
- Vendor prep scheduled backwards from the photography date
We are based in Richmond and work across Melbourne, the bayside suburbs, the Mornington Peninsula and coastal Victoria.
Call 0404 330 332. If you manage a rent roll and want a standard rate schedule set up, that is a ten minute conversation and it makes every job after it faster.
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